AMELIAMADE

what I am working on, thinking on, and lusting after

Amelia’s Sweet 16th Madonna Inn Sleepover Party


I am getting older! Yup it is my sweet 16! Yeah! Come to Party!

I am OBSESSED with the Madonna Inn. The explosively kitschy-glam ballroom, the sheer elegance of drinking martinis in chairs older then your mom, the *ecstasy* of weeping into a pink shag carpet on your 30th, ahem 16th, Birthday- IRRESISTIBLE!

Dinner is at 8pm, but come when you can or want. Do stay too late for the after party in one of the elegant themed rooms! I am in the Love Nest, which is in top floor of Building 3. Book in building 3! Building 3!

Waffles and Mimosas by the pool in the morning!

DATE
Friday, January 20, 2012 at 8:00pm until Saturday, January 21, 2012 at 12:00pm

ATTIRE
Ladies- Sparkly dresses ONLY. NO pants. It’s me.
Gents: Bow ties or Ascots (not nude male necks please)


THERE will be a photo/improv Lynch movie shoot at the after party.

XOXO

Little Baby Amelia

My short film, The Unicorn Girl is screening this weekend at The Other Venice Film Festival. Saturday October, 15th 2:45pm to 4:30pm A part of the short film series (think mine is last- ooolala!) View Larger Map“>@ Beyond Baroque‎ 681 Venice Blvd, Venice, CA 90291-4805

My short film, The Unicorn Girl is screening this weekend at The Other Venice Film Festival. Saturday October, 15th 2:45pm to 4:30pm A part of the short film series (think mine is last- ooolala!)
View Larger Map“>@ Beyond Baroque‎ 681 Venice Blvd, Venice, CA 90291-4805

Unicorn Girl San Francisco Screening!

Remembering that I’ll be dead soon is the most important tool I’ve ever encountered to help me make the big choices in life. Because almost everything — all external expectations, all pride, all fear of embarrassment or failure – these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart.

CONSTANT SIEGE: Leonard Cohen on depression and art

claytoncubitt:

“If the level of intensity of anybody’s disorder is sufficiently high, you can’t move. For people who’ve experienced clinical depression the problem is getting to the next moment. The room tilts, you lose your balance, you’re incapable of coherent thought.

It’s a popular notion that it is…

Mulkey nails the tricky mix of realism and impressionism. She makes effective use of Mike Reilly’s subtle lighting, and the recurrent mechanistic sounds—tapped fingers on a chair, metal coffee cup, pencil on a desk—are inspired, supplied by a dream cast.